The purpose of this thread is to have fun and explore certain aspects of zako in depth without cluttering up the existing threads. Posts may explore and analyze particular zako or they may simply show adventures in which our heroes encounter some zako fodder and deal with them in the usual heroic manner.
Will the heroes show the hapless zako mercy? Or will they show them heroic brutality?
The first adventure starts later in this post, so feel free to skip ahead!
Here is a quick look at why I think I am so drawn to the zako theme.
Let's look at four broad types of women in media/games and compare them based on four categories.
Compare the zako to the others. She is feminine, vulnerable, condemned, and discarded.
The common fate for zako is to be condemned, defeated, discarded, and forgotten. Neither the heroine, nor the villainess, nor the damsel tend to suffer this fate.
The villainess may suffer a harsh fate, but even then she tends to be remembered.
The zako's common fate is unique to zako, and showcases their vulnerability. I think this unique fate may explain why I am so drawn to the zako theme.
Of course, male henchmen may share with female zako the vulnerable, condemned, and discarded characteristics, but they obviously lack the feminine characteristic.
So I think the combination of the zako being feminine and vulnerable, and facing a fate in which she is condemned, defeated, discarded, and forgotten makes her unique and explains much of her appeal.
What do you think? Do you agree with my analysis of zako, or am I off the mark?
Going a bit further with this:
The zako's vulnerability is unique. When a damsel’s vulnerability is exploited society is outraged and seeks to protect and restore her. By contrast, society approves of exploiting the zako’s vulnerability and applauds the heroes who do so.
When the zako’s vulnerability is exploited, she is noticed only for a brief, casual approval of the fate she suffers. Society does not feel sympathetic or protective towards her. Instead, she is condemned to suffer her harsh fate, and then she is immediately discarded and forgotten again.
The heroine is powerful and capable, not vulnerable. But if she does happen to suffer, society laments this suffering. She is admired and celebrated.
The villainess is powerful and capable, not vulnerable. She is condemned but also feared and respected. She may suffer at the hands of the heroes, but only because she represents a real threat to them.
The zako, by contrast, represent much less of a threat to the heroes but are often dealt with in a harsher manner. The heroes are often willing to treat a villainess with mercy, whereas the zako under her are normally just defeated and discarded without consideration.
Examples of this difference in how the heroes treat the villainess compared to the zako will be forthcoming in future posts, but for now:
Here is part one of a little zako adventure thrown together using the sprites from the game Badass Babes!
Background story: Our heroines, Alia and Vela, have infiltrated the sleazy Cloud Nine Club to uncover information about the powerful crime Syndicate which seems to rule the city. Unbeknownst to them, the owner of the Club has noticed their snooping about and has shared his suspicions with his contacts in the Syndicate. Now the Syndicate has tasked an unproven but eager new girl gang to bring Alia and Vela in for questioning. Will our heroines go quietly? Will our zako succeed in their mission? How well will they do against two experienced and highly competent fighters? If things go poorly for the zako, will our heroines show them any mercy at all?
Cast: Meet the Heroines, Zako, and Others in this Adventure
Scene 0: A seemingly normal night at the Cloud Nine Club. Scantily clad dancers on the floor entertain the club patrons, but two of the dancers seem more interested in asking questions than dancing. Guy observes this couple with seeming disinterest, but he catches the eye of Raelle, his Syndicate contact who sits at a table near the entrance. She nods slightly at him and he smiles, knowing his club is about to have some special guests. He wonders if the two "dancing girls" will go quietly, though he would prefer that they not. He is sure his club patrons would love to see an all-female brawl.
Scene 1: The doors suddenly burst open and four more women dressed like dancing girls file in: Lorena, the leader, followed by Cherise, Dalia, and Marta. They stand in the center of the floor as if they own it and lock their eyes menacingly on two other "dancing girls", Alia and Vela. Alia and Vela, however, seem not to notice Lorena and her crew. Their only reaction is to subtly move apart and widen their stances. Guy cannot help but notice what looks like a smirk on Vela's face.
Scene 2: Raelle moves to join Lorena and the others, though she doubts they will need her help. Moving with utmost confidence, Lorena swaggers towards Vela and Alia, who still seem not to notice the new arrivals. "So you're the two ladies who can't stop asking about us", Lorena says as she walks. "Well, whether you are interested in joining us, or you are just too nosey for your own good, you'll be coming with us now. It would be best for your health if you came quietly."
Scene 3: Incredibly, Alia and Vela seem to ignore Lorena's words. They don't even acknowledge her presence! And Guy seems sure now that they are both smirking. He wonders if they are crazy? Lorena, meanwhile, is not used to being ignored. Angry, she decides to get the ladies' attention in a more direct way.
"Did you hear me, you little twerp? I said you'll be coming with us, and I mean now!" As she speaks, she reaches out and grabs Vela by the back of the hair, intending to twist her around so she is forced to look at her while she is talking. Seeing Lorena get physical, some of the other girls prepare themselves nervously for the possibility of a fight. Cherise steps closer to Lorena, ready to back her up if necessary. Marta stares but does not move, unsure what to do. Dalia tries to look intimidating with her whipping rod, but neither she nor any of the other girls notice Vela's leg as it cocks forward, nor that Alia seems to be gauging the distance between herself and Dalia.
Scene 4: Suddenly, everything seems to happen at once. "Look at me when I'm talking t...OOOF!!" Lorena's words are cut short by a vicious surprise kick from Vela, right to Lorena's solar plexus. It seems Vela did not appreciate having her hair grabbed and being told what to do. The other girls barely have time to react. That kick was unbelievably fast and hard! How did she do that? Dalia, realizing Lorena is in serious trouble and that she is the only one with a weapon, prepares to charge forward. But she doesn't notice Alia crouching as if preparing to leap. Guy leans back and smiles. This night just got more interesting.
Scene 5: "Ohhhhh…" Lorena moans as she stumbles backwards, doubled over in pain. Guy cannot help but notice that Vela's smirk has transformed into a full grin. She's actually enjoying herself! Does she seriously think she can win against all five of them? Actually, six of them, Guy reminds himself, though Roxie had not yet made any moves to help her fellow gang girls. Cherise and Raelle each take on fighting stances to the best of their abilities, while Marta still seems frozen in place, as if unable to believe what she has seen. Meanwhile, Alia suddenly charges directly at Dalia, leaping into the air towards her. Dalia, caught completely off guard, raises her whipping rod to protect herself.
Scene 6: A tremendous CRACK! pierces the sounds of music and conversation as Alia's platform shoe slams with blinding speed into Dalia's chin. The black-clad gang girl begins to fly backwards from the impact. The sound of the savage kick grabs the attention of nearly everyone in the club, including a dancing girl named Roxie, who locks her eyes menacingly on her fellow "dancing girl" Alia. Meanwhile, Marta is so startled by the sound and speed of the flying kick that she involuntarily clutches her hands to her chest. Lorena continues staggering backwards, arms wrapped around her midsection, moaning pitifully. She looks up just in time to see Vela cocking her leg again, and she feels a sudden sense of panic. Cherise, however, feels a sudden surge of confidence. An accomplished ballet dancer, she feels certain she can kick just as effectively as Vela, and she prepares to show her skills to the rest of the girls. They will finally have to acknowledge the value of her ballet skills when she delivers a knockout kick to this little upstart.
Scene 7: Unfortunately for Cherise, Vela has years of experience in reading a fighter's body language. Vela immediately shifts the target of her kick from Lorena to Cherise, and the sudden, hammer-like impact of the kick completely spins the ballet dancer around, knocking her towards the glittering column near Guy's VIP couch. Lorena, watching through pain-hazed eyes, cannot help but feel a sense of relief that the powerful kick struck Cherise rather than herself. As she feels oxygen entering her body again, she begins to think that she might be able to recover and turn this fight around. She still has the advantage of numbers, after all! Meanwhile, Dalia hurtles backwards, her involuntary shriek muffled by her mask. Marta, finally recovering from her frozen shock, reaches to take off one of her stilleto heels. This could be used as a weapon if one of them comes after me, she thinks to herself. She wonders if she could escape discreetly into the crowd of club patrons that has now gathered around the dance floor, cheering and laughing. Roxie, meanwhile, charges towards Alia, her face distorted in anger.
Scene 8: Dalia's scream is cut short as the back of her head slams into a table, knocking it off balance. She lays on the floor moaning piteously, her hands clutching at her head and jaw while her leather-clad legs writhe slowly back and forth. Cherise smacks face first into the gilded column, all thoughts of proving herself now replaced with pure pain. Lorena, on the verge of recovering, suddenly feels Vela's hands grabbing HER hair and controlling her head, and she briefly sees a grin of savage satisfaction on Vela's face. Meanwhile, Roxie points at Alia and shouts, "You ungrateful bitch! After all the talks we had about you joining, you dare to betray us?" Alia glances behind her at Roxie with a calm expression on her face, as of a hunter who just found her next prey. Marta, noticing Alia now looking in her direction, holds up her stilleto heel and hopes she looks intimidating. She wonders how quickly she could run with one heel on and one heel off.
Scene 9: Guy can hardly believe his eyes. These two "dancing girls" continue to move with lightning speed and hit with monstrous power. Lorena, still gasping from the kick to her stomach, tries to say something to Vela. It sounds like "Wait", but whatever it was is cut off again. Vela swings Lorena's head down while swinging her knee up, crushing Lorena's jaw and ending any further communication attempts. Cherise staggers, still facing the golden column, while Raelle hesitates. This was not at all what she expected! Dalia remains moaning on the ground. Meanwhile, Alia is unimpressed with Marta's attempt at looking tough, and like a tigress she closes with the gang girl, who stares in frozen shock like a frightened rabbit. Just as Marta breaks from her shock and begins to raise her stiletto heel higher, Alia's foot shoots out and catches her on the temple. Marta lets out a startled "EEK!" as she collapses to her knees. Roxie, enraged, winds up for a wild haymaker punch. The other dancers on the floor have all moved to the corners, joining the raucous crowd of onlookers, cheering and laughing as the brawl continues.
Scene 10: Roxie's fist whooshes over empty air. Alia, never losing her calm expression, ducks under Roxie's punch just before it reaches her and grabs a handful of Marta's hair. Marta tries to crawl away but the kick to her head has made her woozy, and Alia's grip seems strong as steel. Meanwhile, Vela holds tightly onto Lorena's hair, preventing the limp, broken-jawed leader from collapsing to the floor. "Sorry, were you saying something?" Vela asks sardonically, smiling all the while. Raelle, feeling she might need some assistance, moves to help Cherise recover. For her part, Cherise still needs a moment, and she leans against the hard column she was just introduced to so harshly. Dalia continues writhing slowly on the floor, but she seems to be recovering slowly.
Scene 11: Vela releases her grip on Lorena, and the defeated gang girl starts to crumple to the floor. However, Vela moves with the speed of a striking snake, and just before Lorena's chin has fallen Vela initiates her next attack. Meanwhile, Alia rips the hapless gang girl Marta off the floor by her hair just as the furious Roxie winds up for a devastating kick. Raelle continues to help Cherise recover, although the formerly cocksure ballerina sinks down rather than standing up. Guy stares dumbfounded. These two "dancing girls" might just win, despite being outnumbered six to two. However, he notices Dalia has stopped writhing and finally seems to be getting to her knees. He wonders if she intends to keep fighting or crawl away. If she does try to escape, Guy thinks to himself wryly, the crowd will probably shove her back onto the dance floor and into the melee. That's what she gets for trying so hard to look and act tough.
Scene 12: With a tremendous CRACK to rival the sound of Alia's kick on Dalia, Vela slams her knee into the chin of collapsing, defeated Lorena. The already beaten gang girl doesn't even let out a groan or gasp as she hurtles backwards through the air. Guy imagines that knee, unnecessary from a practical standpoint, was delivered just to try to outdo the sound of Alia's flying kick. Certainly Vela seems to enjoy it. She continues to grin joyously as she fights. As for Lorena, that knee must have been devastating. Guy cannot imagine she or anyone else could be conscious after that, let alone recover to keep fighting. In fact, Guy wonders if she could even survive that knee. Regardless, the fight was now five to two instead of six to two, and the odds were looking better for Alia and Vela all the time. Although Raelle succeeds in helping Cherise shakily regain her footing, Alia also succeeds in forcing Marta to her feet. Alia shoves Marta right in the path of Roxie's forceful kick, and unable to change course in time, Roxie's boot slams into Marta's crotch. For a moment, Marta hangs in stunned silence, supported by Alia's iron grip. Then, a high-pitched squeal emerges from her full lips.
That concludes part one of this particular zako adventure. Will the zako make a comeback? If not, will our heroines show them any mercy?
Find out next time!
Will the heroes show the hapless zako mercy? Or will they show them heroic brutality?
The first adventure starts later in this post, so feel free to skip ahead!
Here is a quick look at why I think I am so drawn to the zako theme.
Let's look at four broad types of women in media/games and compare them based on four categories.
| Type | Gender | Power Status | Societal Perception Towards | Societal Behavior Towards |
|---|---|---|---|---|
| Heroine | Feminine | Powerful | Admired | Celebrate |
| Villainess | Feminine | Powerful | Condemned | Respect / Fear |
| Damsel | Feminine | Vulnerable | Valued | Protect |
| Zako | Feminine | Vulnerable | Condemned | Discard |
Compare the zako to the others. She is feminine, vulnerable, condemned, and discarded.
The common fate for zako is to be condemned, defeated, discarded, and forgotten. Neither the heroine, nor the villainess, nor the damsel tend to suffer this fate.
The villainess may suffer a harsh fate, but even then she tends to be remembered.
The zako's common fate is unique to zako, and showcases their vulnerability. I think this unique fate may explain why I am so drawn to the zako theme.
Of course, male henchmen may share with female zako the vulnerable, condemned, and discarded characteristics, but they obviously lack the feminine characteristic.
So I think the combination of the zako being feminine and vulnerable, and facing a fate in which she is condemned, defeated, discarded, and forgotten makes her unique and explains much of her appeal.
What do you think? Do you agree with my analysis of zako, or am I off the mark?
Going a bit further with this:
The zako's vulnerability is unique. When a damsel’s vulnerability is exploited society is outraged and seeks to protect and restore her. By contrast, society approves of exploiting the zako’s vulnerability and applauds the heroes who do so.
When the zako’s vulnerability is exploited, she is noticed only for a brief, casual approval of the fate she suffers. Society does not feel sympathetic or protective towards her. Instead, she is condemned to suffer her harsh fate, and then she is immediately discarded and forgotten again.
The heroine is powerful and capable, not vulnerable. But if she does happen to suffer, society laments this suffering. She is admired and celebrated.
The villainess is powerful and capable, not vulnerable. She is condemned but also feared and respected. She may suffer at the hands of the heroes, but only because she represents a real threat to them.
The zako, by contrast, represent much less of a threat to the heroes but are often dealt with in a harsher manner. The heroes are often willing to treat a villainess with mercy, whereas the zako under her are normally just defeated and discarded without consideration.
Examples of this difference in how the heroes treat the villainess compared to the zako will be forthcoming in future posts, but for now:
Here is part one of a little zako adventure thrown together using the sprites from the game Badass Babes!
Background story: Our heroines, Alia and Vela, have infiltrated the sleazy Cloud Nine Club to uncover information about the powerful crime Syndicate which seems to rule the city. Unbeknownst to them, the owner of the Club has noticed their snooping about and has shared his suspicions with his contacts in the Syndicate. Now the Syndicate has tasked an unproven but eager new girl gang to bring Alia and Vela in for questioning. Will our heroines go quietly? Will our zako succeed in their mission? How well will they do against two experienced and highly competent fighters? If things go poorly for the zako, will our heroines show them any mercy at all?
Cast: Meet the Heroines, Zako, and Others in this Adventure
Scene 0: A seemingly normal night at the Cloud Nine Club. Scantily clad dancers on the floor entertain the club patrons, but two of the dancers seem more interested in asking questions than dancing. Guy observes this couple with seeming disinterest, but he catches the eye of Raelle, his Syndicate contact who sits at a table near the entrance. She nods slightly at him and he smiles, knowing his club is about to have some special guests. He wonders if the two "dancing girls" will go quietly, though he would prefer that they not. He is sure his club patrons would love to see an all-female brawl.
Scene 1: The doors suddenly burst open and four more women dressed like dancing girls file in: Lorena, the leader, followed by Cherise, Dalia, and Marta. They stand in the center of the floor as if they own it and lock their eyes menacingly on two other "dancing girls", Alia and Vela. Alia and Vela, however, seem not to notice Lorena and her crew. Their only reaction is to subtly move apart and widen their stances. Guy cannot help but notice what looks like a smirk on Vela's face.
Scene 2: Raelle moves to join Lorena and the others, though she doubts they will need her help. Moving with utmost confidence, Lorena swaggers towards Vela and Alia, who still seem not to notice the new arrivals. "So you're the two ladies who can't stop asking about us", Lorena says as she walks. "Well, whether you are interested in joining us, or you are just too nosey for your own good, you'll be coming with us now. It would be best for your health if you came quietly."
Scene 3: Incredibly, Alia and Vela seem to ignore Lorena's words. They don't even acknowledge her presence! And Guy seems sure now that they are both smirking. He wonders if they are crazy? Lorena, meanwhile, is not used to being ignored. Angry, she decides to get the ladies' attention in a more direct way.
"Did you hear me, you little twerp? I said you'll be coming with us, and I mean now!" As she speaks, she reaches out and grabs Vela by the back of the hair, intending to twist her around so she is forced to look at her while she is talking. Seeing Lorena get physical, some of the other girls prepare themselves nervously for the possibility of a fight. Cherise steps closer to Lorena, ready to back her up if necessary. Marta stares but does not move, unsure what to do. Dalia tries to look intimidating with her whipping rod, but neither she nor any of the other girls notice Vela's leg as it cocks forward, nor that Alia seems to be gauging the distance between herself and Dalia.
Scene 4: Suddenly, everything seems to happen at once. "Look at me when I'm talking t...OOOF!!" Lorena's words are cut short by a vicious surprise kick from Vela, right to Lorena's solar plexus. It seems Vela did not appreciate having her hair grabbed and being told what to do. The other girls barely have time to react. That kick was unbelievably fast and hard! How did she do that? Dalia, realizing Lorena is in serious trouble and that she is the only one with a weapon, prepares to charge forward. But she doesn't notice Alia crouching as if preparing to leap. Guy leans back and smiles. This night just got more interesting.
Scene 5: "Ohhhhh…" Lorena moans as she stumbles backwards, doubled over in pain. Guy cannot help but notice that Vela's smirk has transformed into a full grin. She's actually enjoying herself! Does she seriously think she can win against all five of them? Actually, six of them, Guy reminds himself, though Roxie had not yet made any moves to help her fellow gang girls. Cherise and Raelle each take on fighting stances to the best of their abilities, while Marta still seems frozen in place, as if unable to believe what she has seen. Meanwhile, Alia suddenly charges directly at Dalia, leaping into the air towards her. Dalia, caught completely off guard, raises her whipping rod to protect herself.
Scene 6: A tremendous CRACK! pierces the sounds of music and conversation as Alia's platform shoe slams with blinding speed into Dalia's chin. The black-clad gang girl begins to fly backwards from the impact. The sound of the savage kick grabs the attention of nearly everyone in the club, including a dancing girl named Roxie, who locks her eyes menacingly on her fellow "dancing girl" Alia. Meanwhile, Marta is so startled by the sound and speed of the flying kick that she involuntarily clutches her hands to her chest. Lorena continues staggering backwards, arms wrapped around her midsection, moaning pitifully. She looks up just in time to see Vela cocking her leg again, and she feels a sudden sense of panic. Cherise, however, feels a sudden surge of confidence. An accomplished ballet dancer, she feels certain she can kick just as effectively as Vela, and she prepares to show her skills to the rest of the girls. They will finally have to acknowledge the value of her ballet skills when she delivers a knockout kick to this little upstart.
Scene 7: Unfortunately for Cherise, Vela has years of experience in reading a fighter's body language. Vela immediately shifts the target of her kick from Lorena to Cherise, and the sudden, hammer-like impact of the kick completely spins the ballet dancer around, knocking her towards the glittering column near Guy's VIP couch. Lorena, watching through pain-hazed eyes, cannot help but feel a sense of relief that the powerful kick struck Cherise rather than herself. As she feels oxygen entering her body again, she begins to think that she might be able to recover and turn this fight around. She still has the advantage of numbers, after all! Meanwhile, Dalia hurtles backwards, her involuntary shriek muffled by her mask. Marta, finally recovering from her frozen shock, reaches to take off one of her stilleto heels. This could be used as a weapon if one of them comes after me, she thinks to herself. She wonders if she could escape discreetly into the crowd of club patrons that has now gathered around the dance floor, cheering and laughing. Roxie, meanwhile, charges towards Alia, her face distorted in anger.
Scene 8: Dalia's scream is cut short as the back of her head slams into a table, knocking it off balance. She lays on the floor moaning piteously, her hands clutching at her head and jaw while her leather-clad legs writhe slowly back and forth. Cherise smacks face first into the gilded column, all thoughts of proving herself now replaced with pure pain. Lorena, on the verge of recovering, suddenly feels Vela's hands grabbing HER hair and controlling her head, and she briefly sees a grin of savage satisfaction on Vela's face. Meanwhile, Roxie points at Alia and shouts, "You ungrateful bitch! After all the talks we had about you joining, you dare to betray us?" Alia glances behind her at Roxie with a calm expression on her face, as of a hunter who just found her next prey. Marta, noticing Alia now looking in her direction, holds up her stilleto heel and hopes she looks intimidating. She wonders how quickly she could run with one heel on and one heel off.
Scene 9: Guy can hardly believe his eyes. These two "dancing girls" continue to move with lightning speed and hit with monstrous power. Lorena, still gasping from the kick to her stomach, tries to say something to Vela. It sounds like "Wait", but whatever it was is cut off again. Vela swings Lorena's head down while swinging her knee up, crushing Lorena's jaw and ending any further communication attempts. Cherise staggers, still facing the golden column, while Raelle hesitates. This was not at all what she expected! Dalia remains moaning on the ground. Meanwhile, Alia is unimpressed with Marta's attempt at looking tough, and like a tigress she closes with the gang girl, who stares in frozen shock like a frightened rabbit. Just as Marta breaks from her shock and begins to raise her stiletto heel higher, Alia's foot shoots out and catches her on the temple. Marta lets out a startled "EEK!" as she collapses to her knees. Roxie, enraged, winds up for a wild haymaker punch. The other dancers on the floor have all moved to the corners, joining the raucous crowd of onlookers, cheering and laughing as the brawl continues.
Scene 10: Roxie's fist whooshes over empty air. Alia, never losing her calm expression, ducks under Roxie's punch just before it reaches her and grabs a handful of Marta's hair. Marta tries to crawl away but the kick to her head has made her woozy, and Alia's grip seems strong as steel. Meanwhile, Vela holds tightly onto Lorena's hair, preventing the limp, broken-jawed leader from collapsing to the floor. "Sorry, were you saying something?" Vela asks sardonically, smiling all the while. Raelle, feeling she might need some assistance, moves to help Cherise recover. For her part, Cherise still needs a moment, and she leans against the hard column she was just introduced to so harshly. Dalia continues writhing slowly on the floor, but she seems to be recovering slowly.
Scene 11: Vela releases her grip on Lorena, and the defeated gang girl starts to crumple to the floor. However, Vela moves with the speed of a striking snake, and just before Lorena's chin has fallen Vela initiates her next attack. Meanwhile, Alia rips the hapless gang girl Marta off the floor by her hair just as the furious Roxie winds up for a devastating kick. Raelle continues to help Cherise recover, although the formerly cocksure ballerina sinks down rather than standing up. Guy stares dumbfounded. These two "dancing girls" might just win, despite being outnumbered six to two. However, he notices Dalia has stopped writhing and finally seems to be getting to her knees. He wonders if she intends to keep fighting or crawl away. If she does try to escape, Guy thinks to himself wryly, the crowd will probably shove her back onto the dance floor and into the melee. That's what she gets for trying so hard to look and act tough.
Scene 12: With a tremendous CRACK to rival the sound of Alia's kick on Dalia, Vela slams her knee into the chin of collapsing, defeated Lorena. The already beaten gang girl doesn't even let out a groan or gasp as she hurtles backwards through the air. Guy imagines that knee, unnecessary from a practical standpoint, was delivered just to try to outdo the sound of Alia's flying kick. Certainly Vela seems to enjoy it. She continues to grin joyously as she fights. As for Lorena, that knee must have been devastating. Guy cannot imagine she or anyone else could be conscious after that, let alone recover to keep fighting. In fact, Guy wonders if she could even survive that knee. Regardless, the fight was now five to two instead of six to two, and the odds were looking better for Alia and Vela all the time. Although Raelle succeeds in helping Cherise shakily regain her footing, Alia also succeeds in forcing Marta to her feet. Alia shoves Marta right in the path of Roxie's forceful kick, and unable to change course in time, Roxie's boot slams into Marta's crotch. For a moment, Marta hangs in stunned silence, supported by Alia's iron grip. Then, a high-pitched squeal emerges from her full lips.
That concludes part one of this particular zako adventure. Will the zako make a comeback? If not, will our heroines show them any mercy?
Find out next time!
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